Untitled

2010

In Untitled 2010, the idea of 'title' in its widest sense takes shape in a clear glass I that rises above and splits a compressed white cube.  A conceptual footing, the base grounds the text in the mute forms of minimalism and monochromes.  Vascillating between being beautiful and meaningful, 'the object' becomes 'the subject', and vice versa, while drawing viewer and context into focus.

Complicating self-image, viewers see through themselves as they see themselves.  In shifts of light, the body becomes ephemeral.  The viewer's internal voice is activated - reading the numeral 'first' and the first person present tense 'I', while being present in the first person.   To the soundtrack of a cast of characters, Untitled develops an open body of multiples and reproductions.