Bodies—of knowledge, code, atoms and cells—are activated in a meditative process of weaving newborn disposable diapers/nappies into absorbing monochromatic grids. Visceral and sensory, the soft surfaces feel like skin and tissue, a permeable membrane. Proposing wall sculpture, painting, and performance piece, the work embodies an internal operating system where hundreds of ready-mades are transformed into being-mades, discretely absorbing, swelling and receding, while dampening noise, and loading space with meaning. Taking over 500 years to breakdown in landfill, the 'disposable work' is unsustainable in environmental terms while exceeding archival expectations and art conservation conventions. Feelings of vulnerability, nakedness, and memory emerge from the padded substrates and walls, immersive fields drenched with values-based questions about humanity in the Anthropocene.