An in-depth review of Gill Gatfield’s New York installation Habeas Corpus by neuroaesthetics scholar Tamar Torrance is featured in CLOT Magazine, a hub for critical discourse at intersections of art, science, and technology. Torrance’s review traces how Habeas Corpus merges deep time and ancestral consciousness with AI and AR systems, foregrounding the body as both subject and sensor. Mapping Gatfield’s choreography of minimalism and code, the text reflects on her expanded sculptural field where matter, memory, and machine interlock in an inseparable world-self.