The Snake Charmer

'Magnetic' artwork

Feb 2021. "At the Aotearoa Art Fair, The Snake Charmer raises the bar and acts as a reminder about the magnetic pull of a work of art as an object and its potency for mystery and imagination. The Snake Charmer is absolutely the right work of art to remind us also about the attraction of an art object as representative of a great idea to be uncovered/discovered, and that this is the pull/attraction of the visitor numbers and the enthusiasm for attending the Art Fair." Dr Warren Feeney, NZ Art Historian and Editor, Art Beat

NZ Art Fair

Aotearoa Art Fair - 'The Snake Charmer'

Feb 2021. New Zealand's international Auckland Aotearoa Art Fair features The Snake Charmer in the inaugral Sculpture Space on the waterfront overlooking the America's Cup yachts and glistening harbour. The granite sculpture embodies the form of the first person, the number One, and the declaratory First. Set within a circular garden of healing native plants based on Rongoā Māori, the sculptural tableau draws audiences in to contemplate and touch. Like a siren or guardian, The Snake Charmer watches over land and sea.

Creative Revolution

Welcome to the Creative Revolution!

Dec. 2020. International art commission platform CODAworx has recognised NZ artist Gill Gatfield as one of 25 Creative Revolutionaries: ‘exemplary leaders of positive change in the field of commissioned art - to celebrate, to learn from, to set the bar.’ In an online panel 'Welcome to the Creative Revolution!', Gill joins three other Creative Revolutionaries to present her practice and share strategies and ideas with an audience from across the globe, exploring what it means to make public art that promotes change in the commissioned art space.

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International Conference

Intersection of Art, Technology & Place

Sept/Oct 2020. At CODAsummit Virtual 2020 Gill Gatfield presents 'Native Tongue - A Taonga / Treasure', exploring how creative use of digital technology is redefining and expanding the fields of sculpture and public art. In an alchemy of old and new, the artist carved the totemic 3m/10ft high sculpture Native Tongue from a prehistoric wood recovered from a native forest which was buried at the end of the last Ice Age in Aotearoa New Zealand. Seeking to extend the ideas, form and mana of Native Tongue, she created the sculpture's alter-ego using state-of-the-art extended reality tools to realise Native Tongue XR, a spirit figure that can travel the world.

New Limited Edition Artwork

Glass Ceiling 2020

Drawing its audience inside the frame, a new archival photograph Glass Ceiling describes an undulating field pulsing with imagination. Beneath the neo-classical arches of the towering Silo, a crystalline pool of acquamarine glass evokes a broken metaphor and a sublime scene. The once-was glass ceiling is smashed and silo-ed: set apart and isolated, prised open for inspection. Focus shifts from an invisible obstacle above to the now palpable sum of its parts. Like an ancient Roman Forum, Glass Ceiling frames space for discussion and the exchange of ideas; a beautiful sensory 'room' for meditation and healing, and a salient reminder of the forces of gravity and unbridled power. An industrial scale monument, it proposes a memorial to the past and a foundation for the future, with higher goals.

Presented: SCAPE Public Art - Art in Residence 2020 Details

Public Art Commission

'Asterisk' lands in Sydney!

July 2020. A new public artwork for Sydney, Asterisk (from the Ancient Greek 'asteriskos': little star) combines ancient stones with celestial form, marking journeys past and present. The sculpture is sited at the entrance of a new park developed by NSW Government and Westconnex on 18 hectares of open space, part of a major transport infrastructure project on Cadigal and Kameygal land. The intersecting stone from far corners of Australia - Pilbara, Chillagoe and Sydney, trace the history of the oldest continent on Earth. A unique composite blade made from rock recovered from road tunnelling below the site is oriented to Ginan, a small star recently renamed its ancient Aboriginal Australian astronomy star-name. Shadows mark the passage of time in a circle of heritage stone that once lined local roads.

Asterisk 2021/21
Pilbara Marble, Chillagoe Marble, Sydney Tunnel-Stone, Heritage Sandstone
1mH x 12m Dia.
Westconnext Public Art Project, St Peter's Sydney NSW

Zealandia (At Home) Abroad

Virtual Exhibition - 'Touch'

April 2020. WomanMade Gallery Chicago presents a curated virtual exhibtion, aptly titled 'Touch' during a global pandemic lock-down. Zealandia (At Home) joins selected international multimedia works each navigating the pyschology of human need for connection with nature, community and aspiration in times of turmoil.

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Creative Leadership Award

25 Creative Revolutionaries for 2020

Jan. 2020. International commissioned art platform CODAworx honours 25 Creative Revolutionaries - "artists and arts collaborators, leading the way for positive change", among them NZ sculptor Gill Gatfield:

"an activist and an alchemist, creating beautiful minimalist artworks packed with complexity. Inventive in form and meaning, her work draws audiences to engage through sensory experience and inspired philosophical meanings. From a platform of inclusion, Gill's public artworks challenge the status quo, raising eyebrows, questions, and the bar for minimalist art in contemporary practice. ..."

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Exhibition 2020

Exhibition The Vivian

Dec 2019-Feb 2020. The Vivian presents work by Gill Gatfield in the Summer Show, a curated exhibition at the purpose-designed spacious gallery north of Auckland, with Australian artists Sally Gabori, Patricia Piccinini and Stephen Benwell, and NZ artists Monique Lacey, Rebecca Wallis, Peter Panyoczki, Cruz Jimenez, Iain Cheesman and Seung Yul Oh.

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NZ Public Art

SCAPE book

Nov. 2019. A new critically acclaimed book by Dr Warren Feeney reviews the exceptional public artworks and projects commissioned by Christchurch based SCAPE Public Art, NZ's premier international bi-annual sculpture exhibition. This 20 year survey includes an interview of artist Gill Gatfield and images of her 4 tonne granite sculpture The Kiss installed on the neo-gothic quad at Christ's College. "An essential book for anyone interested in public art" Andrew Paul Wood, EyeContact Nov 2019

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